", "Don't be afraid to turn the bass all the way down or the treble all the way up. This results in the amp sounding more open and smoother. NFB is set to 0.01 just to fool the GUI into displaying Presence instead of HiCut below the left knob." The Bass/Treble switch would be different amp models. Using the 300B tube type should get you pretty close. An implant is a surgically-embedded interface port into which amps are "plugged in". This weapon deals more damage when the user is jumping, grinding, or bouncing. The loop send is taken right off the MV which means the output impedance is very high. IOW, I pulled V1. This is already modeled in the Axe-Fx via the Bright Switch. A JTM45 with a bright cap is similar to a Superlead.

This lowers the output impedance of the plate significantly which, in turn, lowers the output impedance of the amp itself making the voltage output less dependent on the speaker impedance. Our model is based on the Canadian one. Here are some tips: The old version of the model incorrectly referenced the Mark IV tone stack. Maybe also a tube rectifier to add some more sponge. ", "The clean channel uses the same built-in tube screamer as the other channels. ", "The rhythm channel of an X99 is identical to a SLO 100.

For overdriven sounds some find it desirable. A mu-follower doesn't compress and distort like a cathode follower does. The newer amp is brighter and tighter. I bought it off a lawyer (surprise, surprise) some years ago who was in trouble with the IRS. ", (about fizz) "It's the way a Plexi is supposed to sound. Exploding enemies knock down and damage other nearby enemies. The 1x12 Deluxe Tweed Mix cab is the IR. It's the 5-band graphic EQ from the mark series with the potentiometers replaced by LDRs. The impedance ratio is about twice that of other amps. This is not unusual. Chance to spawn this weapon's ammo on enemy death. The bright cap in Marshalls can be very bright and harsh. ", "The power amp is based on a typical Marshall 100 watts power amp of the same era. When you run a pentode (or beam tetrode) in triode mode you connect the screen to the anode which effectively defeats the screen. Volume Normal, Volume Treble, Bass, Middle, Treble, Presence, Gain, Low, Mid, High, Volume, Presence, Resonance (only on 50w model), Bass, Middle, Treble, Presence, Volume Normal, Volume Bright, Cab: Fender 2x12 (P12N, but Keith Urban's cab contains Two-Rock speakers), Presence, Middle, Bass, Treble, Volume Bright input, Volume Normal input, Volume Bass, Volume Normal, Bass, Treble, fixed Presence circuit (Presence should be at 10), Bright switch (Normal channel only), Cab: Fender 4x10 (P10R, P10Q, C10R, Oxford), Cab: Fender 2x10 (Jensen P10R, P10Q, Oxford 10K5), Fender 2x12, Volume, Cut, Sun/Moon switch (= Bright switch), Brilliance switch (= Bass Cut), power scaling (not modeled), EF86/12AX7 switch, Gain (input sensitivity), Lead (degree of distortion), Lead Boost switch, Contour switch, Bass, Middle, Treble, Rough/Smooth switch, Master, Presence, Depth Boost switch, Master Volume, Bass, Middle, Treble, Bright switch, Volume, Depth, Presence, Output Power switch, Thump, Presence, Bass, Middle, Treble, Master, Gain, Edge, 3-way Gain Voice switch, Vibrato channel: Volume Bright, Volume Normal, Bright switch, Treble, Bass, Tremolo, Volume, Tone (Axe-Fx II/AX8 model: Treble), Tremolo, Volume, Overdrive Level, Treble, Middle, Bass, Master, Presence.

I think the default Master Volume value is a bit high so you may want to turn that down. FWIW the Axe-Fx is the only modeler of which I'm aware that actually models triodes using a feedback technique. The problem with most cathode biased Class A amps is, 1: they aren't really Class A (more like hot Class AB) and 2: They go into Class B operation when they are overdriven. Modern designs use more carefully crafted treble boosting to retain the cut but tame some of the harshness of the attack. ", "That's a "James" tone-stack. The biggest reason Silverface Twins were cleaner is because the PI had less gain.

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