Bloomington, Indiana University Press, 1990. Throughout the entire film, the main characters Lorelei (Marilyn Monroe) and Dorothy (Jane Russell) display consistent loyalty to one another. Translated by A. M. P. Firenze: R. Bemporad & Figlio, 1928.] 190 p; 20.5 cm. Unfortunately, no additional information could be found in more recent sources.

[Spanish] Los caballeros prefieren rubias; Pero se casan con las morenas. Every single thing they wear is absolute perfection – I’ve seen this film at least three times, and every one of those was spent with my eyes glued to the screen, looking at how their gowns shimmer or their hair and makeup are always perfectly done. Irving Thalberg used to tell me, 'When you write a love scene, think of your heroine as a little puppy dog, cuddling up to her master, wagging an imaginary tail, and gazing at him as if he were God'" (190-1). New York Times [Musical] GENTLEMEN PREFER BLONDES. That year she sketched out a film treatment—it was a short story laid out visually, since she didn’t know scriptwriting technique—and mailed it to Biograph, the production company that made reels for her family’s theater. ." Critics generally gave favorable impressions, but focused mainly on its humor and wit. (Blondes, 138). By the third chapter of Gentlemen Prefer Blondes, however, men began reading the magazine. The film rose to number one in the nation in August 1953 and generated more than $5 million for Fox by the end of the year.

In fact, according to Todd McCarthy, Russell "welcomed ( Log Out / 

bibliographic description under book entry in WorldCat transcribed sentence on cover which revealed source of first publication. FURTHER READING The title is misleading; something like Two Broads Abroad or Masters Of Men would be more fitting. Department of English, University of Virginia. 2 Quoted in Marion Elizabeth Rodgers, Mencken: The American Iconoclast (Oxford University Press, 2005): 245.

It’s clear the two women know men get drop-jawed looking at them, and that's exactly the reaction they are seeking. Lorelei’s narration burlesques, in excoriating detail, the vernacular of the American middle class. A Girl Like I (1966) and Kiss Hollywood Good-By (1974) were volumes of reminiscences. Lorelei’s true intelligence and her true actions are questions that never resolve. 7 JPEG image of sample illustration, if available, 8 General physical appearance of book (Is the physical presentation of the text attractive? Lorelei uses “you” as an indefinite pronoun, swallows complicated concepts in vague nouns, and rounds out sentences with mindless verbal filler. Choreography by Agnes De Mille. Every product on this page was chosen by a Harper's BAZAAR editor. Lorelei's gentlemen want to possess her for much the same reason she wants to possess diamonds: she bolsters their egos just as the jewels enhance her self-esteem" (98). Hereafter cited as Hegeman, with page number. Those found are listed below: New York: Curtis Books. She’s the original Paris Hilton, laughing all the way to the bank with her one-zillion dollar empire while everyone speculates about her lack of intellect. Most of the book's praise came Loos's fellow members of the literary elite. I mean it is my favorite recreation and sometimes I sit for hours and do not seem to do anything else but think. '” 4, "Gentlemen Prefer Blondes 1925. “Why did she so far outdistance me in feminine allure? Publisher's Weekly 176 p; 16.5 cm. Mencken, her friend and crush around whom she based her satire of a man and his arbitrary attraction to a stupid blonde. It was produced as an elaborate technicolor film by Twentieth Century-Fox in 1953, revived as a musical entitled Lorelei in 1974, and enacted as a stage play by the National Actors Theatre in 1995. ... Marilyn Monroe in Gentlemen Prefer Blondes … It concerns early rape of its idiot heroine, an attempt by her to commit murder (only unsuccessful because she is clumsy with a gun), the heroine's being cast adrift in the gangster-infested New York of Prohibition days, her relentless pursuit by predatory males (the foremost of whom constantly tries to pay her off at bargain rates), her renunciation of the only man who ever stirred her inner soul of a woman, her nauseous connection with a male who is repulsive to her physically, mentally and emotionally, and her final engulfment in the grim monotony of suburban Philadelphia" (xi). Lucie Arbuthnot and Gail Seneca, for example, pointed out that "Given the mammary madness of the fifties, it is striking that Hawks chose to dress Monroe and Russell in high-necked sweaters and dresses."

"?if one examines the plot of [Blondes], it is almost as gloomy as a novel by Dostoievski. [Hungarian] Szokek elonyben. The series struck a chord with readers, and by the third installment, Harper's Bazaar had tripled its newsstand sales. 10, 1907): 2; The National Police Gazette LXXIX, 1265 (Nov. 16, 1901): 3. By the age of 20 Loos was a professional screenwriter, and she eventually worked on more than 60 silent films. ), Overall appearance of book is remarkably good, with consideration of age. 14 Serialization? She is the endpoint of commodification, the consumer who is also a consumer good. Anita Loos. Gentlemen Prefer Blondes. The repetitive phrasing, combined with a dearth of punctuation– she can spell, but she punctuates sloppily– forces upward interesting structural variations, sometimes creating odd poetry: So Mr. Spoffard spends all of his time looking at things that spoil peoples morals. When Anita Loos first began writing Gentlemen Prefer Blondes, she never intended it for publication, and cared only about the response it drew from H.L. This was even more apparent in the 1920’s when the novel was published, a time where flappers broke society’s rules and used their sex appeal to their advantage. After the success of the story in serial form in Harper's Bazaar, Loos took it to Boni & Liveright to be published in book form. From this time on, Anita often tried to give the impression that she was younger than she was in reality, which was not a hard task considering her small size. "Dr. Froyd looked at me and looked at me and he said that he did not really think it was possible. Black and white drawings inserted among text or full-page on pp. 1966. Hereafter cited as Loos, with page number. This is the source of the novel’s cynicism. 1963. They were satires on the state of sexual relations that only vaguely alluded to sexual intimacy; … Telegraph Books. Dust jacket preserved on this particular first edition. New York: Viking Penguin. Loos, Anita. 1989. 256 p; 18cm. Monroe's star persona coalesced with the film, and thereafter roles such as Pola in How to Marry a Millionaire (1953), "The Girl" in The Seven Year Itch (1955), and Sugar in Some Like It Hot (1959) were written with her specifically in mind. She has written for Bustle, Thought Catalog, Washing Post Magazine, and a various other publications. Overall, Gentlemen Prefer Blondes is a surprisingly feminist, funny buddy comedy.

The novel gets its moral center from Lorelei’s brunette friend, Dorothy. Gentlemen Prefer Blondes , with respect to views on sex and women during the decade of the 1920s, and with consideration to its portrayal of a dumb yet irresistible woman/monster, became the surprise bestseller of 1925, but not for surprising reasons. Towards the end of the film, Lorelei's boyfriend tells her that she needs to change if she wants to maintain their relationship. Pick a style below, and copy the text for your bibliography. It is interesting to note that although the novel deals with sex and relationships between men and women, it does so in a manner which only hints at the topic without explicitly mentioning the details surrounding it. I find it feminist to stick to yourself and motives, and not wilt due to the desires of men. They display a robust and unapologetic self-esteem.

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