Mohammad's grandmother is heartbroken when she realizes that Hashem has sent Mohammad away to apprentice under a blind carpenter, and, in her distress, she falls ill. She leaves the family home, but Hashem tries to convince her to stay, questioning his destiny, and lamenting his deceased wife and blind son. Discussion Guide to the Iranian film The Color of Paradise. Why should I be grateful to him? He approaches the woman's parents with gifts, and they give him their blessing. Make a list of things you have learned about the spiritual practice of gratitude from this movie.

Whereas his life abounds with wonders, that of his father, a widower, is drenched with fear and misery. Have you ever felt like him? It shows the unity of the creation with the creator at the end as if Mohammed is telling through his hands , reaching out to him , to take him with God. Share your responses to the ambiguous ending of. What one scene in the drama best conveys his delight in seeing God through his fingertips? Hossein Mahjoub as Hashem (Mohammad's father), Learn how and when to remove this template message, Crystal Simorgh for Audience Choice of Best Film, https://en.wikipedia.org/w/index.php?title=The_Color_of_Paradise&oldid=969234278, Crystal Simorgh for Audience Choice of Best Film winners, Articles lacking sources from December 2017, Creative Commons Attribution-ShareAlike License, This page was last edited on 24 July 2020, at 05:36. In what ways do you feel the presence of the Invisible God? A woodpecker is heard, and the sun comes out; Mohammad's fingers slowly start to move. Yet to catch this film asap. Gratitude to God enables us to see everyone and everything as a jewel for our enjoyment. That disastrous accident of losing Mohammed made him realise his love for his son, a son whom he had several times tried to get rid of, the forces of good and evil.There can be two interpretations to the end of the film when Mohammed's hand moved:1) Mohammed's father's embrace and love brought back his son's life and he can feel his dad loving and holding him for the first time; 2)Why is there a light focusing on Mohammed's hand; why doesn't the hand move without the light shining on it? The Color of Paradise runs 90 minutes and is rated PG for thematic elements. At a momentary glance ‘the color of Paradise’ appears to be a film revolving around a blind boy by the name of Mohammad. His hopes destroyed, Hashem decides to bring Mohammad back. He was coming back to life. Fearing his bride-to-be's family will learn of Mohammad, Hashem takes Mohammad away and leaves him with a blind carpenter who agrees to make him an apprentice. This guide is posted as a service to visitors to www.SpiritualityandPractice.com. You see him through your fingertips. This guide is one in a series of more than 200 Values & Visions Guides written by Frederic and Mary Ann Brussat. His father, Hashem, shamed and burdened by Mohammad's blindness, arrives late to pick him up and then tries to convince the headmaster to keep Mohammad over the summer. The last scene showing the hands of Mohammed moving gently with an extra glow symbolizes his unity with the almighty. For our review of the film and a plot synopsis, click here. He touches and feels the nature around him, counting the sounds of animals and imitating them. For the things I don't have, for the miseries, for a blind child, for the wife I have lost? For other uses and for a list of guides in the Values & Visions series and ordering information, email your name and mailing address to: brussat@spiritualrx.com. Nice review. Spirituality & Practice. The teacher answers, "God is not visible. His stories are simple, eloquent, and filled with a deep appreciation for the innocence and kind-heartedness of children. Hashem carries her back home. Hashem wakes up on the shore of the Caspian Sea and sees Mohammad lying motionless a short distance away.

"Persepolis" - Marjane Satrapi and Vincent Paronna... "I Walked with a Zombie" - Val Lewton (directed by... "The Ister" - David Barison and Daniel Ross (2004). Best of all, it depicts how much a father can eventually learn and appreciate the lost of someone whom he never thought he could love. ", In one of the saddest scenes in the film, Mohammad's father says to his devout mother: "Why doesn't that great God of yours help me out of this misery?

What is he trying to discern? The Color of Paradise (Persian: رنگ خدا, Rang-e Khodā, literally The Color of God) is a 1999 Iranian film directed by Majid Majidi.

He returns to the blind carpenter and retrieves Mohammad. The story revolves around a blind boy named Mohammad who is released from his special school in Tehran for summer vacation. What do you think it means? Hashem weeps over his son's body and looks to the skies. What other films have you seen with blind people as wise ones or seers? One way or the other, it gives us two conclusions, the same moral nonetheless, to ponder about. Outer space is silent, but on earth almost everything can make a sound," Diane Ackerman observes in A Natural History of the Senses. Eight-year-old Mohammad shares with a blind carpenter the following: "Our teacher says God loves the blind more because they can't see but I told him if it was so, he would not make us blind so we can't see him."

Thankyou for saying that. Does your faith encourage your in the love of learning? The carpenter simply remarks that he agrees and walks away, possibly affected by the boy's words as he himself is blind. I was reminded of Catholic grade school, where every page of homework began at the top with our childish handwriting: "JMJ"--for Jesus, Mary and Joseph.

This is truly a story about love and compassion. What sounds always stir a grateful note in your consciousness? Mohammad says that God must not love him for making him blind, and says that his teacher taught that God loves the blind children more for their blindness. This is a great review, except that according to the director, Majidi, Mohammad did not die at the end. It may not be photocopied, reprinted, or distributed electronically without permission from Frederic and Mary Ann Brussat — except it may be duplicated for use by groups participating in the e-course "Going to the Movies as a Spiritual Practice."

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